The curatorial work in the PoéticaSonora MX Digital Audio Repository
The Digital Audio Repository (DAR) is responsible for offering representative samples of these current artistic practices linked to voice and language, based on a careful tracking, selection and systematization of these already existing manifestations, replicating their documentary sources and thereby contributing to the dissemination and dissemination of their creators and their works.
By Susana González Aktories
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How to approach sound poetics from its audio documentation? Practical ideas to tune your ear
Didactic and research tool that offers various perspectives, criteria, parameters and practical guidelines for listening exercises.
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Listening session with Sarmen Almond: ‘Black Holes’ and ‘Longing’
Throughout the discussion we asked ourselves: in what ways are the mouth, voice and image disarticulated in the piece? What does the change of medium from face-to-face to audiovisual imply in vocal performance? How can we state and share our listening process? Video editing: Paula Hernández
The word before the word. In conversation with Cinthya García Leyva
Interview with the director of Casa del Lago UNAM, as part of the investigations carried out by PoéticaSonora MX on the documentation and digital archiving work undertaken by the institution since 2020 around the Festival de Poesía en Voz Alta. Video editing: Bruno Armendáriz Torroella
A first approach to the sound collection of the Museo Universitario del Chopo
Enrique Schadenberg Balbontín
Artist dedicated to the composition, performance, research, and dissemination of new and experimental music. He holds a Master’s Degree in Music (Composition) from UNAM; a Master’s Degree in Composition of Music Applied to Audiovisual and Scenic Media, from the Conservatorio del Liceu, Barcelona; and a Bachelor’s Degree in Musical Arts and Sciences, from the Pontificia Universidad Católica de Valparaíso. In the field of composition, he has produced works for various
Juan Carlos Ponce
He began his formal music training at the Conservatorio J. Guadalupe Velázquez, continuing at the UNAM Faculty of Music (then called National School of Music), studying guitar. He graduated and earned the Gabino Barreda medal for academic merit. Subsequently, he obtained his Master’s degree in musicology at the same school, with highest honors. His thesis was titled ‘Metamorphosis of Hebert Vázquez, an intermedial approach’. He currently holds a Fulbright scholarship
Jorge Alberto Pacheco Ozúa
He has a BA degree in Modern Languages and Literatures (English Literature) from UNAM. His thesis explores forms of representation of the body and the voice in electronic literature. Trained as a drummer, he has worked as a percussion teacher. He has also been an English language teacher and translator. His main interests are the intersections between aesthetics and politics. He joined PoéticaSonora MX in January 2017, fulfilling his social
Gabriela Montiel Suárez
She graduated in Modern Languages and Literatures (English Literature) from UNAM, specializing in literary criticism and analysis as well as cultural studies. Her thesis is entitled ‘“Against this city of parasites, paradise:” The semantic and metaleptic representation of the “other” city in The OOZ by King Krule’. She has worked as a teaching assistant to Dr. Susana González Aktories in the seminars ‘Literature and the Arts’ and ‘Literary Theory and
Aurelio Meza Valdez
He graduated in Modern Language and Literature (English Literature) from UNAM with honours, and obtained his Master’s degree in Cultural Studies from the Colegio de la Frontera Norte in Tijuana, as well as a PhD in Humanities from Concordia University in Montreal, Canada. He is an editor, translator, and writer, author of the books of essays Shuffle: poesía sonora (Tierra Adentro, 2011), Sobre vivir Tijuana: textos mutantes fronterizos (CECUT, 2015)